All of us could be players on the world stage, nevertheless the question remains why we reveal the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, just like in real life? Just like dreams our imaginations become presented to us on the mental screen as if we were watching movies or television. And as in dreams the real world gets supplanted by the virtual world even though we are fully alert. That world still has great resemblance to the real one and everything happening in it appears real due to something shifting in our cognition school. However, the mechanism that activates our psychological responses remains unchanged and therefore we react to this fiction in the exact same manner as in real life.
Here we have some similarity with the virtual reality of the contemporary computer technology, which is an artificial environment created by applications. It’s introduced to the viewer in such a way that the person temporarily suspends own belief pattern and takes it as a real environment. In ways it isn’t different from the occurrence of being hauled to the imagined world of fiction, except the computer performing the task is in the mind and we don’t have any clue as to what is the software and who’s the developer.
This brings us into the reason for psychological reaction. In respect to fiction that the most frequent emotions are likes and dislikes that could turn into their stronger types of love and hate. In real life we love or hate someone because of some attachment through kinship, friendship, or even through indirect understanding of the individual. One cannot love or hate a person a person does not know at all. Attachment can also be on other living beings, material things, and to imaginary things. We love or despise a narrative or even an idea. For an ordinary person it is impossible to live unattached to items on the planet. If a person can get rid of attachment, one joins the rank of enlightened souls who are indeed rare. We carry our capacity and desire for attachment even into the fanciful world of fiction. We view the characters that we come to know as the story progresses, form our likes and dislikes, and react in precisely the same way as in real life except we cannot interact together physically. But we do interact together in our heads and hearts out of where the feelings come. We want to say a fast word about our discussion re navigate to this site. What I have found is it really just will depend on your goals and needs as it relates to your unique situation. The most innocuous specifics can sometimes hold the most crucial keys as well as the greatest power. The best approach is to try to envision the effects each point could have on you. Here are several more equally important highlights on this important topic.
The fact is that in a specific sense itself is fiction. Just like a story it’s a beginning, an end, and lot of things in between. We don’t know who writes this fiction nor will ever understand. So we have an innate affinity with fiction and cannot fully detach ourselves from it. And maybe that’s why, while reading or viewing fiction we get dropped subconsciously in the wonderland of imagination, but for that brief period we operate exactly in the exact same way as we would in the real world of our understanding. In that sense fiction is simply invented reality.
Theme is why fiction things, because it is the quality that gives the narrative a universal appeal. Some say theme is exactly what the story is about, but that’s too ephemeral a definition, which might get confused with the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human condition. Theme is the abstract concept behind the story forming the story’s heart and soul which the exposition, dialogue, and action reflect every opportunity they get.
Theme isn’t the characters or the storyline or the first idea that started the story. For instance, a writer may start with the concept of exploring family connections between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, occasionally without the writer’s understanding of it at the beginning; however, more experienced authors usually work on their subject harder than any other part of the narrative once they grab on to what it is they’re writing about.
In non-fiction, the author is advised to hone into his theme and start referring to it at the first paragraph. In fiction, on the other hand, the theme usually blossoms through the writing as the narrative progresses.